We name files for the media plan: campaign, motif, aspect, language. The editor’s private timeline names stay in the suite.
Colour-managed stills and video sit in parallel folders with a short readme: LUT, white, and what was approved.
Raws stay in our working storage unless bought. What the client receives is what they licensed.
A year later, brands ask for a new crop. If the archive is clean, that is a morning. If it is a pile, it is a new job.
We keep the working project for the revision window in the estimate. After that, restore is a quoted retrieval, not a favour.
Seacount North works from Markveien, a room with a cove and a grade desk. Clients make furniture, wool and the public rooms that specify them. Summer days run long and we use them. Winter jobs are indoor, with the window as key until it is gone, then a matched lamp.